It’s no secret that the film industry lacks diversity and inclusion. In 2015, the Oscars were called out with the hashtag #OscarsSoWhite because every category listed lacked an artist of color. And I mean literally every category. This movement was the beginning of the shift that the film industry is slowly making to be more diverse and inclusive. Fringed, a film club at Ball State University that focuses on women and diversity in the film industry, is working heavily towards bridging that gap while educating others in the process.
Over the past decade, we’ve seen an increase in female directors given the opportunity to direct more high-profile projects including Wonder Woman, Charlie’s Angels, Captain Marvel, and Mulan. Other films like Booksmart, Little Women, and The Babadook get high praise for their quality, as well as being directed by women. However, there have been many other great films from previous decades that were helmed by women that were exceptional, and maybe even better than ones directed today. However, they have not received the same praise or been even mentioned when discussing films directed by women.
Graham and OK break down the latest installment in the Terminator series - an anime from Production IG.
February is Black History Month and for a while now, I’ve wanted to write about Black punk bands. Black punk bands help spread not only a form of education as to what the Black community is going through, but also offer each other a sense of belonging in a largely white community.
Husband and wife duo Captain and Tennille dominated much of the 70s with their keyboard and piano instrumentals. Unfortunately, the duo’s time in the spotlight didn’t last much longer than a decade, leaving the memories of the two that much more reminiscent.
With the Infinity Saga wrapped up, it may feel like Marvel doesn’t have any more tricks up their sleeves. Phase Four recently began with the premiere of Wandavision, giving us a brief glimpse into what the next couple of years will look like for Marvel Studios. Wandavision marks the beginning of a story arc that will carry over into Spider-Man: No Way Home and concludes with Doctor Strange in the Multiverse of Madness. With the introduction of both the multiverse and characters that have been revealed that will be in Spider-Man: No Way Home, it’s looking like we’ll finally be getting a live-action version of the Spider-Verse, with Tobey Maguire and Andrew Garfield returning as their incarnations of the web-slinger. However, recent comments from Tom Holland have said otherwise. So, is there any factual evidence for the Spider-Verse?
February is Black History Month and for a while now, I’ve wanted to write about Black punk bands. Punk has always been a community meant for those angry at the world, for screaming for change, for the chance to be heard, and most importantly, to be able to be themselves without backlash. Even so, after my last article on female punk bands, I realized that punk has not been so perfect at making sure everyone is heard and appreciated. But it’s the groups that aren’t as heard that are the most important to listen to. Black punk bands help spread not only a form of education as to what the Black community is going through, but also offer each other a sense of belonging in a largely white community.
Blake asks Ball State the Byte-ing Question, Who is your favorite African-American artist?
The walls of the dimly lit hallway leading to MU 123 are chipped with avocado green paint. The flooring has decades of hope, laughter, love, sweat, tears, and dirt from the bottoms of Ball State alumni’s shoes caked into the tiles’ seams. Despite the age, the second you enter the quaint mirrored room in the Hargreaves Music Building, you are instantly transported into an environment full of dedication, goodwill, and support. Sounds of laughter, singing, chanting, and clapping all filter into the hallway. Even while social distancing, the Ball State University Singers bring students of all majors together to fill the charming room with passion and warmth.
Louis Lowry, known for books like Number the Stars, The Anastasia Krupnik Series, and The Silent Boy, reached her peak when she wrote 1993’s The Giver. Lowry wrote about 12-year-old Jonas, who was chosen to receive memories of his society’s past from the giver, Jeff Bridges. She was able to tell a story of a government keeping humanity bottled up in one man, the giver, and how dangerous and cruel this burden can be. I believe the 2014 film’s lack of violence and blockbuster-esque appeal killed the film before it was even released, although it wasn’t the film’s fault that it didn’t continue.