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Heartland Film Festival: ‘God Bless You, Mr. Vonnegut’ is a dull documentary about a delightful dude

When thinking about famous Hoosiers, there aren’t too many people who  come to mind. Orville Redenbacher is one, since the popcorn is so  tasty. Three people (including me) may consider former Indiana governor  Paul V. McNutt as a legendary Hoosier as well. The point is, the list  isn’t very long. On that short list, however, is legendary American  writer Kurt Vonnegut. Author of strangely dark and satirical novels like  Slaughterhouse-Five or Cat’s Cradle, Vonnegut is a genuinely unique and interesting person who moved through the world in his own way, and this documentary titled God Bless You, Mr. Vonnegut  helps paint that picture. Unfortunately, the great subject matter of  the documentary is anchored down by some rough filmmaking and editing.

This documentary doesn’t follow a traditional documentary structure,  especially the structure of documentaries about living people. In its  essence, God Bless You, Mr. Vonnegut is more of a series of  only somewhat connected anecdotes, presented in no particular order with  only a sort of overarching “theme” for each selection of anecdotes. The  sections are divided by readings of Vonnegut’s writing, short  Vonnegut-esque songs composed and performed by Kurt Vonnegut Jr., or  clips of Kurt Vonnegut himself at panels or other events. These breaks  between sections, strangely enough, were some of my favorite bits of the  documentary since they have a more direct look into Vonnegut’s mind.

This aimless structure, where-in Vonnegut’s death is discussed about  halfway through the documentary and then never really mentioned again,  seems to be an artistic decision emulating the style of the man himself.  That’s an interesting concept, but in terms of the experience watching  the documentary, it was a tough sell for me. What works in a short story  or novel doesn’t necessarily translate well into a documentary, and  that’s the case with God Bless You, Mr. Vonnegut. There was no  hook to keep viewers fully-engaged throughout the documentary, although  the clips of Vonnegut himself definitely tried to do that. Compared to  the documentary I saw later in the day, Howard, it was night-and-day the  difference proper structure makes.

The other major problems with this documentary come from the  cinematography and editing. The camera-work is fine (aside from a couple  questionable angles), and the quality of the film is there. Yet, there  were times during the film where it seemed clips would drop to half the  framerate of what was around it, as if it was being shot with two  different quality cameras. Sometimes this would happen during a clip of  someone, where it would start with them talking and the framerate would  look like it was stuttering briefly before eventually correcting itself.  I couldn’t tell if it was a problem with the projector or the film  itself, but it was definitely jarring and continuously noticeable.

The editing, however, doesn’t get the benefit of the doubt. God Bless You, Mr. Vonnegut  genuinely looked like it was thrown together in Premiere over the  course of a week or so. I know this because it had a lot of techniques  that I used when I made a short documentary in a caffeine-fueled  evening. There is so much uninspired B-roll within the film, some of it  seemingly disconnected from what’s being discussed. On top of that,  anytime an image is shown within the film, it uses the same  cut-and-paste editing effects over-and-over. I get there’s only so much  you can do when there’s so little actual footage of the man himself, but  there isn’t anything unique within the production of the documentary.  The man himself may be a unique individual, but the pieces that make up  his documentary don’t match his energy.

Despite all of that though, there are still enough great moments and  fun anecdotes about Kurt Vonnegut that consistently made me smile. A  personal favorite was in a clip of Vonnegut at a panel where he’s asked  the question: “Why are we put on this Earth to suffer and die?” After a  minute or so of silence Vonnegut responds, “That’s show business,” and  then walks off-stage. These little moments of brilliance make the  documentary worth watching for someone interested in learning more about  Kurt Vonnegut as a person, but in terms of filmmaking, it’s a rough  film to sit through.

Follow the film on Facebook, Twitter, and the film’s official website.

Featured image: Heartland Film Festival

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