by Katherine Simon The Nutcracker is not an easy piece of fiction to adapt into film by any means. Due to the Tchaikovsky ballet’s focus being mostly on visual presentation (set design, music, etc.) rather than story, it’s hard to create a compelling narrative for a film without taking a lot of creative liberties. When Disney decided to adapt the ballet in the form of Nutcracker and the Four Realms, they did it in the same fashion as their recent live-action film adaptations: by trying to appeal to an older demographic by presenting it as a grittier re-imagining of a classic story, and then completely removing any semblance of charm or originality. For a concept as stupid as “Disney’s edgy Nutcracker reboot,” I expected to at least be entertained by the absurdity of the film’s premise, but the movie just left me frustrated and bored by the end of it.
The story is sleep-inducing

Wooden characters

The art direction as dull as the movie

IMDb MovieWeb