Open-Minded: Changing traditions
(12/09/19 8:00pm)
Sophie Nulph is a sophomore journalism major and writes “Open-Minded” for The Daily News. Her views do not necessarily agree with those of the newspaper.
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Endlessly Thinking: I’ll wear what I want
(12/05/19 8:00pm)
Drew Locklear is a junior journalism major and writes “Endlessly Thinking” for The Daily News. Her views do not necessarily agree with those of the newspaper.
Loud and Clear: ‘The Mandalorian’ child, he is
(12/02/19 8:00pm)
Elena Stidham is a senior journalism and telecommunications major and writes “Loud and Clear” for The Daily News. Her views do not necessarily agree with those of the newspaper.
Full Dis-Chlo-Sure: Filler conversation is horrible
(11/25/19 8:22pm)
Chloe Fellwock is a sophomore advertising major and writes “Full Dis-Chlo-sure" for The Daily News. Her views do not necessarily agree with those of the newspaper.
‘The End of the F***ing World’ Season 2 has restored my faith in television writers
(11/22/19 7:29pm)
Disclaimer: This article contains spoilers for The End of the F***ing World Seasons 1 and 2.
‘The Lighthouse’ is a psychological storm that’ll leave you shipwrecked
(11/21/19 6:26pm)
New England-born director Robert Eggers is one of the many on-the-rise directors that critics and film-lovers should look out for. Originally starting out as a production designer in theater, he transitioned to film and made his debut back in 2015 with the religious period horror film, The Witch. The film followed a Puritan family in 1630s New England, who are haunted by an unknown evil that lurks in the woods at the edge of their farm. Upon release, it received praise from critics, namely for its cinematography and its use of slow-building, atmospheric horror. However, it was divisive among the general moviegoing audience. They went in expecting a traditional modern horror movie with blood and jump scares. Instead, they got a minimalist, introspective psychological horror movie that explored religious paranoia in Puritan times. Now, Eggers brings his follow-up with the maritime psychological horror film, The Lighthouse.
Bob Dylan and his Band at Emens Auditorium, Ball State University (11/2/2019)
(11/21/19 6:03pm)
The thought of Bob Dylan, who has proved to be a masterful lyricist/musician/poet/artist for over 50 years, playing in Muncie, Indiana, is a thought I’m sure surprised everyone in the city. Emens Auditorium at Ball State University was packed with people on the night of Nov. 2. There was one merch booth and one bar with a mile-long line. The band started playing promptly at 8 p.m., without an announcement or introduction. At 78 years old, Bob Dylan and his Band managed to play an incredible 19 song set, with a surprisingly good stage presence and performances.
Artful Ruckus: Thanksgiving is a bunch of stuffing
(11/20/19 9:10pm)
Kami Geron is a freshman mass communications and studio arts double major and writes “Artful Ruckus" for The Daily News. Her views do not necessarily agree with those of the newspaper.
Loud and Clear: Temporarily 21
(11/18/19 5:00pm)
Elena Stidham is a senior journalism and telecommunications major and writes “Loud and Clear” for The Daily News. Her views do not necessarily agree with those of the newspaper.
Bold Type: There’s nothing wrong with supporting your favorite musician
(11/14/19 5:00pm)
Taylor Smith is a sophomore news and magazine major and writes “Bold Type” for The Ball State Daily News. Her views do not necessarily agree with those of the newspaper.
Brutally Honest: Therapy reimagined
(11/12/19 5:00pm)
Sophia Carson is a freshman public relations major who writes "Brutally Honest” for The Daily News. Her views do not necessarily agree with those of the newspaper.
Alter Bridge’s ‘Walk the Sky’ reeks with burnout
(11/10/19 10:00pm)
Coming from the crumbled ashes of Creed, Alter Bridge took mainstream rock by storm in 2004 with songs like “Metalingus,” “Broken Wings,” and “Open Your Eyes.” Since then, they’ve put out one album every three years, keeping their releases pretty consistent, which is a good quality to have in a band. 2007’s Blackbird released to critical acclaim, taking the band further away from the stigma that they’re the same as Creed. Throughout their career, the band has come further into their own sound. AB III (2010) found the band experimenting with song structure, different musical styles, and having lead guitarist (Mark Tremonti) on vocals. Their magnum opus, Fortress (2013), featured the band’s strongest songs one right after the other, collecting every great aspect of the band into a single record. But, the band has not been without missteps; 2016’s The Last Hero was a record of clear intention that unfortunately fell flat with the songwriting. While it had some interesting and unique songs, a few others ended up sounding generic. On their latest album, Walk the Sky, the band continues to bore with bland songwriting and a safe, radio-friendly sound; however, there is still good to be found in this mixed bag of an album.
REVIEW: ‘American Horror Story: 1984’ Episode: 7 “The Lady in White”
(11/09/19 9:25pm)
Disclaimer: This review contains spoilers for this episode and previous episodes of American Horror Story: 1984.
Kanye West’s ‘Jesus Is King’ is a mixed bag of genuine gospel rap
(11/09/19 9:17pm)
Kanye West needs no introduction. Coming out of one of his biggest and most controversial years in 2018, West announced the album Yandhi, similar to his 2013 record Yeezus. After delay upon delay, Yandhi never saw the light of day. Flash forward to 2019, and West has rebranded himself as a born-again Christian, leading many Sunday Services and eventually touring it. Throughout 2019, speculation started for when West would release his next record to follow 2018’s Ye. It was then announced on his website that Jesus Is King, an entirely new record, would release on Sept. 27, but it was also delayed. The album kept being delayed while West held listening parties in various cities, probably testing the audience reception of this new sound. The album ended up releasing Oct. 25 alongside a short film that shows his Sunday Service choir. At a short 27 minutes, Jesus Is King fills its role as a gospel album. Great production can be found throughout, but its length and missing potential makes some tracks feel unfinished, leaving holes throughout the record.
Jimbo-laya: The power of hope
(11/07/19 8:00pm)
Joshua Smith is a freshman graphic design major and writes “Jimbo-laya” for The Daily News. His views do not necessarily agree with those of the newspaper.
The Gaggle: Leaf me alone
(11/05/19 5:00pm)
Ian Roesler is a senior creative writing major and writes “The Gaggle” for The Daily News. His views do not necessarily agree with those of the newspaper.
Heartland Film Festival 2019: With ‘Waves,’ A24 has done it again
(11/03/19 2:00pm)
In the ever-shifting landscape of modern indie cinema, no distributor has left a greater mark on the landscape than the infamous A24. It struck out the box office with titles ranging from mind-benders like Swiss Army Man and this past summer’s Midsommar, to deep psychological horror like It Comes at Night and the infamous Hereditary. It even goes on to Oscar contenders like The Florida Project and 2016 Best Picture Winner Moonlight, which shows the bench of hits under this no-longer-fledgling studio’s belt are insane achievements.
Heartland Film Festival 2019: ‘Guest Artist’ is an unrepentant, drunken mess
(11/02/19 11:00pm)
In my history of covering film, I’ve sometimes had to confront a prominent subject of my past endeavors that always seems to catch up with me: the theatre. Sure, I did my fair share of high school drama (I was even a tree!), and in a way, that experience led me down the path to where I am today. I’ve always had a sincere respect for the medium, if only by the effort required to properly do it. However, we live in a complicated age for the medium, where the internet and bootlegging make it easier to actually see these shows… and harder for said shows to actually make money on seats. Compound that with an increased presence by licensed works and acts intending to capitalize on an emerging teen market to get that sweet Hamilton/Be More Chill virality, and it could cause one to question: in 2019, what does it mean to make true theatre, let alone art?
‘El Camino: A Breaking Bad Movie’ is a worthy epilogue to Vince Gilligan’s masterpiece
(11/02/19 9:48pm)
When Breaking Bad wrapped up six years ago, viewers were left wondering what would happen to the character Jesse Pinkman as he drove away after being held captive. The show ended on a bit of a cliffhanger, not really giving any clue as to where his character would go next. It was frustrating not knowing what happened to him, yet also satisfying because it left his character open to a world of possibilities. Once El Camino was announced, some people, including myself, were a bit worried that it would undermine the ending of the show. I’m going to say that this movie is the best possible follow-up to the series that we could have gotten.
My costume is not an invitation.
(10/30/19 8:20pm)
Kennedi Barnett is a junior journalism news major and writes "Kennedi’s Kaleidoscope" and does illustrations for The Daily News. Her views do not necessarily agree with those of the newspaper. Write to Kennedi at kpbarnett@bsu.edu.
