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(09/24/18 6:00pm)
Kennedi Barnett is a sophomore journalism news major and writes "Kennedi’s Kaleidoscope" for The Daily News. Her views do not necessarily agree with those of the newspaper. Write to Kennedi at kpbarnett@bsu.edu.
(09/21/18 4:10pm)
When Fatima Nyeema Warner, aka Noname, released her debut mixtape Telefone in 2015, she quickly solidified herself as a unique voice in hip-hop and one of the most promising artists in the scene. Her rapping, while at times frustratingly soft-spoken and amateurish, bordered on beat poetry in a fascinating way, and her understated positivity was something that nobody in rap was or is bringing to the table. It was evident that with some extra work, the Chicago rapper, poet, and songwriter is capable of making something even greater; maybe even legendary. While she doesn’t quite reach “legendary”, Room 25 is a greater work in almost every aspect and definitely lives up to the expectations that her debut album has set.
(09/19/18 11:16pm)
In this week's episode of How It's Played, we are discussing the epidemic of open-world games. This includes the many issues that plague these games and some of the major benefits of the genre.
(09/20/18 4:43pm)
Demi Lawrence is a sophomore journalism news major and writes "Unspoken" for The Daily News. Her views do not necessarily agree with those of the newspaper. Write to Demi at dnlawrence@bsu.edu.
(09/19/18 3:40pm)
Tierra Harris is a freshman journalism and sociology major and writes “Tierra Talks” for The Daily News. Her views do not necessarily agree with those of the newspaper. Write to Tierra at tmharris@bsu.edu.
(09/19/18 7:15pm)
Back in 1987, Predator was released onto the movie going public. The film took your standard 80s action movie plot, and turned it on its head by having a group of special forces soldiers hunted down by an alien. Ever since then, Predator has been regarded as a classic of 80s action cinema and has spawned a multimedia franchise. This includes two sequels, comic books, video games, and several crossovers with the Alien franchise. This film marks the cinematic return of the ultimate hunter after eight years. Helmed by Shane Black (director of Kiss, Kiss, Bang, Bang, Iron Man 3, and The Nice Guys, along with having a role in the original film as Hawkins), the film is a welcome return as well as being enjoyably fun.
(09/19/18 4:00pm)
Carrie Underwood is well-known in the country music world for relying on faith during pressing times. She has a specific style and way of doing her music. No other female country artist can do what Underwood does. Her latest album, Cry Pretty, never shies away from what she knows. Dealing with hardship and loss is the prime theme in this album. She does a great job at keeping her name around among this new wave of country music. Much of country music today consists of one-night-stands gone wrong, repeating phrases over and over and having rap in the background. It seems as almost country has lost its way and I don’t know what that means for the future of country music. There are few artists who have stuck to their way of writing music. Carrie is one of them. This is one of her strengths and why she is great at what she does.
(09/19/18 1:00pm)
On Alter Bridge’s third live album, the band decided to change their sound. In a bold move, the Parallax Orchestra, a 52-piece orchestra, joined their show for two nights at the Royal Albert Hall in London, England. What came out of this was a brilliant setlist, crisp production, and an incredible amount of emotion.
(09/18/18 5:02am)
By Tanner Kinney
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
Another year, another terrible awards show. The Emmys have a long standing history and this year is celebrating the diversity of their nominees and hosts. Unfortunately, that’s the only diversity the 70th primetime Emmys can celebrate. Despite their numerous hosts celebrating the “evolution of TV” and the “diversity of TV”, the primetime show is still too terrified to give an award to someone who might scare the mildly racist elderly people. Like really? Donald Glover loses so many awards despite being nominated for so many? And to shows that are objectively worse in quality? That sounds like a scandal waiting to happen.
Sure, you can see that more women are winning awards on primetime TV, but we’re still missing color. Even the hosts are making jokes about how white the Emmys are. When you have James Corden even making jokes about it, you’ve achieved something truly terrible. And just so we’re clear, making jokes about it doesn’t make it go away. Just Googling “Emmys 2018 winners” and scrolling that bar to the right reveals 50 shades of white. Maybe they are more deserving though? That’s a fair argument to make, so let’s look at some of the nominations.
The first example comes from “outstanding lead actor in a comedy series.” You have people like Anthony Anderson from black-ish and Donald Glover from Atlanta. Who wins? Bill Hader, you know, the guy from Trainwreck, that Amy Schumer comedy? What about lead comedy actress? Rachel Brosnahan, another white woman from an admittedly pretty good show. Alright, so how about “lead actor from a limited TV show or series”? John Legend as actual Jesus Christ? Nope, give it to Darren Chris, which makes my 12-year-old self very happy but horribly disappoints my 20-year-old self. Sure, you can point out that they gave an Emmy to Regina King and Thandie Newton, but that’s the only two out of so many other Emmys given out on the live show. And if you really want to talk about robbed, just look at Anthony Anderson's reaction to when his show lost best comedy to a show that had already been sweeping tons of other awards.
The only real justice in this show is RuPaul winning an award for best reality show competition, and even that was ruined by the award being presented by Rick and Morty. Does NBC even have a high enough IQ to comprehend Rick and Morty? Because, to be fair, you have to have a very high IQ to understand what in the world NBC was thinking with this show.
This trend here completely contrasts with how the Emmy’s projects their image. The hosts are all talking about how “progressive” the industry is, making left-leaning comments and bashing modern politics. They literally had a segment giving “reparation Emmys,” complete with bad jokes and actual real fake hip-hop music, which may be possibly the most poorly thought out thing NBC has done yet. The joke was that they were giving awards to black people who got robbed because “awards shows used to be so bigoted.” Get it? The industry was so racist giving awards to only white people! Good thing we’ve moved past that, giving awards to only a majority of white people.
The segment was not only painful, but horribly hypocritical and almost as tone-deaf as CBS’s The Neighborhood. It’s clear that the Emmys are just acting progressive for brownie points, despite the fact that they are still an Academy run by, and ultimately for, white people.
If you need another sign about how terrible this Emmy awards show was, they gave an Emmy to THE OSCARS! I didn’t even know that was a thing that was possible! That’s like if I reviewed my features and gave myself an award for them. It’s legitimately the most embarrassing thing I’ve seen in a long time. All I’m saying is: Glenn Weiss? More like Glenn White. Yeah, I get it, that joke wasn’t funny. Just like this joke of an award show.
The strangest thing? If you look online, you’ll see that that there are so many people-of-color winning awards. Awards offline, not on TV. Why is that NBC? What makes you so afraid of giving an award to a black person on live television? What demographic are you really targeting? You speak out about how progressive television is, nominate so many incredible black actors and actresses, and you give awards to people like Bill Hader? Henry Winkler, the freaking Fonz won an award, and he hasn’t done actual TV since he starting peddling life insurance to old people watching The Price is Right. That’s a sign right there that the Emmy’s have jumped the shark.
I think the answer to why the Emmys are doing this is obvious. Who is actually watching TV right now? Live, real television? Grandma. That’s who, and I’m not talking the sweet old Grandma who bakes you cookies; I’m talking your other Grandma. The Grandma you can’t invite to family outings ever since cousin Gary married that sweet black lady who works at Target. She can’t actually hear what’s being said on the TV, but she can see. She sees a person-of-color win an award, starts mailing letters to NBC full of complaints and comments that would make a 4Chaner blush-- Now, I’m not saying that NBC is catering to bigots. What I am saying is that there’s gotta be a reason somewhere. And if Letitia Wright's reaction to getting robbed for her award is any indication, it's the worst reason possible.
Now, when the Oscars roll around and they give a majority of awards to white people, are we gonna get angry again? Why do we have to keep getting angry? It’s clear the industry is leaning towards a private position that is nearly opposite to its public position. You can only claim “deserving contenders” for so long before people start to question what you consider a “deserving” trait. And when the Oscars are so white? I’ll be back here again, picketing with everyone else for more real diversity in this industry.
(09/18/18 4:47am)
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
(09/14/18 4:27pm)
Disclaimer: This review is based off of the PS4 version of the game.
(09/11/18 9:13pm)
Disclaimer: This review contains spoilers for the movie Kin
(09/11/18 6:50pm)
Blake Williamson is a junior journalism major who writes "Blake's Beats" for The Daily News. His views do not necessarily agree with those of the newspaper. Write to Blake at bdwilliamson@bsu.edu.
(09/07/18 7:00pm)
Disclaimer: This review is of the PC version and was conducted on a PC with an Nvidia GeForce GTX 960, i7, 8GBs of RAM.
(09/07/18 4:18pm)
Lauren Sanderson is an artist from Fort Wayne. She signed with Epic Records in early 2018 and released her third EP, Don’t Panic, on Aug. 24. She has established a new sound that is unique and easy to like. Anyone could find themselves enjoying this new EP.
(09/07/18 3:00pm)
by Terence K. Lightning Jr.
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
A few months ago, when researching gender norms in clothing, I discovered we tend to value feminine qualities less than masculine ones. We are much more accepting of girls, for instance, who wear “boy shorts” or blazers than we are of boys who wear leggings or crop tops. Since social progress is important to me, I think we need to value both our feminine and masculine sides equally. Oddly enough, a video game from Nintendo provides inspiration.
In Splatoon 2 you play as an Inkling, a humanoid squid, who shoots various bright-colored inks around various beautiful environments. While playing as an Octoling, a humanoid octopus, I fell in love with the game—but not because of the action, visuals, or story. Regardless of what gender you choose, your Octoling wears a black, skin-tight outfit that reveals part of your midsection.
This clothing option shocked me. I repeatedly made sure this was an option for my male Octoling because a skintight midsection-revealing outfit is considered feminine by our standards. Regardless of my character’s gender, I was also able to wear two other set of gear—one that that comes with a gray crop top and another with a pink baggy hoodie.
(08/31/18 5:04pm)
Since 1922, The Ball State Daily News has been committed to providing the campus community with breaking news and accurate, timely information.
(08/30/18 6:30pm)
Demi Lawrence is a sophomore telecommunications journalism major and writes "Unspoken" for The Daily News. Her views do not necessarily agree with those of the newspaper. Write to Demi at dnlawrence@bsu.edu.
(08/24/18 4:00pm)
I guess it’s 2009 and I’m back in middle school, because Slender Man is a thing again… kind of. Remember Marble Hornets? Yeah, they were pretty cool. I watched each upload religiously and blabbered to my friends about Slender Man during each lunch period because, yes, we were the weird kids.
(08/24/18 1:00pm)
The Meg is one of those few films that sounds awful in theory. Yay, it’s another shark movie, like we don’t have hundreds of those lying around? Wow, it’s Jaws but with a bigger shark? But despite every cliché the movie uses, it still stands out. It’s a fun, rather self-contained movie about giant killer sharks, what’s not to love?