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(02/10/21 12:00pm)
Voice students from the School of Music performed Saturday Feb. 6 at the Ball State Opera Gala in Sursa Performance Hall. The gala included performances from operas such as Les Huguenots, Love Never Dies, and State Fair. Compositions were from Mozart, Rodgers and Hammerstein, and Andrew Lloyd Webber. The gala was available as a livestream, with some segments recorded Friday, Feb. 5. The performers stood socially distant and wore masks throughout the performance to abide by COVID-19 protocols.
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(01/31/21 10:59pm)
by Arianna Sergio
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
Lately, I haven’t been able to stop listening to Dominic Fike. No matter what I do, I find myself pulling up his Spotify profile and pressing the shuffle button, so much so that it has become a part of my daily schedule—like second nature. I first discovered Fike in 2018 when his song “3 Nights” blew up. Whenever I was driving I would turn on the radio and instantly hear the beginning chords to that song. Normally when I hear a song that is overplayed on the radio I immediately change the station or shut off the radio altogether, but not with this song. This time it was different. For some reason, I became mesmerized by this song and addicted to his voice. Every time it ended I found myself hungry and craving more. Alas, I never ended up hearing any more music from him let alone hearing anything about him. It was like he fell off the face of Earth. This past July, I was browsing through Spotify’s new releases and I saw an album titled, What Could Possibly Go Wrong. The cover drew me in, with the neon salmon words of the title smeared to the right and the aesthetic mountain landscape in the background, so I clicked on it. I was shocked, to say the least, when I saw Fike’s name attached to it. From the moment I pressed that play button it’s been an album I consistently go back to every day.
Why don’t you know Dominic Fike?
The 25-year-old artist really emerged out of nowhere. As a child, Fike would always play music. When he was ten, he received a guitar and taught himself how to play it. When he got older, Fike joined a local formative rap collective called Backhouse. Born and raised in Naples, Florida, Fike and the rest of Backhouse started making waves in the local scene and began culminating a following. Fike shifted gears and started focusing more on himself and his craft and, soon enough, he released his solo music. Some of his early music that is still online is an EP titled Dishwasher and a single titled “Jada Pinkett,” but everything else has ceased from existence. He released the EP Don't Forget About Me, Demos in December 2017, which was recorded while he was on house arrest for battery of a police officer, as an independent artist while he was serving time in Collier County Jail. The EP ignited a very public bidding war from a handful of record labels who wanted to sign him. He ended up signing with Columbia Records for around $4 million and his music that was already posted was taken down and re-released months later through Columbia.
Don’t Forget About Me, Demos
[caption id="" align="alignright" width="291"] Image from Amazon[/caption]
“3 Nights'', needless to say, is the breakout song on this EP, generating a whopping 536 million streams, and being what put Fike on people’s radars in the first place. This song talks of the evolution of a relationship: going from someone not being fully interested in someone else, to falling in love with them, to then hesitantly straying away. Even though this song amassed the most attention, with its prominent guitar strums and carefree, sunny chorus, it isn’t the best song on the EP. The two songs that are tied for best song in the EP are “She Wants My Money” and “Babydoll.” In “She Wants My Money,” Fike sings about an ex-lover who only wants him for his money, but Fike needs his money more than his ex, so he doesn’t give in. The lyrics, “Look, f**k 'em, I gotta get the money too/ I got three to protect, I need a money tree/ Like, what you need the money for?” showcase his clever lyricism and play on words with Fike counting from 1 to 4. In “Babydoll,” Fike gets personal and opens up about his upbringing. He vulnerably sings about his father being a “pimp” and not being in the picture and how his mother dealt with drug abuse. This song makes you want to bop your head up and down to the retro bass that shines though. In “Westcoast Collective” Fike takes the listener back on his journey of living on the west coast in a house with a substantial group of people, aka Backhouse, and being an unknown rapper wishing for a discovery of some sort. This was before he adapted the alternative pop genre he has mastered today. In “Falling Asleep,” Dominic Fike sings about consciously distancing himself from people because he has a difficult time trusting others. He also gets candid about the pitfalls of his latest fame and wealth. This EP is as transparent as any artist can get for how fresh Fike is to the music game. Fike lays it all out on the table and he definitely serves.
What Could Possibly Go Wrong
[caption id="" align="alignright" width="293"] Image from Pitchfork[/caption]
The common themes on What Could Possibly Go Wrong are the trials and tribulations of being in a relationship and Fike reflecting on his roots, upbringing, and where he hails from. One characteristic that I love about Fike is that he literally couldn't care less about the fame that goes hand-in-hand with being a “celebrity.” In “Cancel Me” he discusses some of the stresses of his newfound rise to fame. He mentions living in LA being overwhelming and how he wishes that he could just go back to his family. He hopes that people “cancel” him, or that people stop supporting him. “Cancel culture” has become an extremely common phenomenon in recent years. Fike raps the lyrics, “I hope I never, ever have to go on TV/ Mothaf**ka, Jimmy Kimmel does not wanna meet me,” and this lyric is one of the strongest on the whole EP. It oozes sass and character, which I personally appreciate in lyrics, and it gives the listener a small taste of Fike’s personality. “Why” is the standout in the album. It’s catchy beyond belief with its simple yet enticing chorus paired with Fike’s delectable high-pitched vocals about having chicken tenders with a lover. “Chicken Tenders,” blends his signature alternative pop sound with R&B, as he sings about living lavishly with his lover. As its title suggests, “Vampire” gives the listener an eerie Halloween in the summer. The creative aspect is what makes this music video hands down the best music video Fike has ever released. In “Wurli,” Dominic sings about being in a toxic relationship and how he can’t help but feel like a “glorified doorstop.” “Florida” is the final track on the album. Fike ends the album by reflecting on where he hails from and sharing how he’s “still the same” man as he was before fame and fortune and how he remains grounded. What Could Possibly Go Wrong is an exceptional debut album for the young artist highlighting all of his strengths as a musician and putting his one-of-a-kind voice on a pedestal.
BROCKHAMPTON, Kenny Beats, and what’s next
[caption id="" align="alignright" width="420"] Image from The Fader[/caption]
Some notable features Fike has done are in “Peach” by Kevin Abstract, a rapper/singer in BROCKHAMPTON, “Hit Me Up,” by Kenny Beats and Omar Apollo, “Stop Selling Her Drugs” by Bakar, and “Dominic’s Interlude” by Halsey. Fike has a close relationship with the hip/hop group, BROCKHAMPTON. Abstract directed a video titled, “This is Dominic Fike,” which was posted to the BROCKHAMPTON YouTube channel. In this video, Abstract does a deep and raw interview with Fike, which then shifts into an offhand “3 Nights” music video.
To best describe Fike is to say that he’s a wildcard. Fans can’t predict his next move, but just anticipate that one is coming. Fike recently posted a short video to his Twitter, Instagram, and YouTube of him blindfolded with a baseball bat and hitting a number two piñata while a nameless song, presumably by him, plays in the background. All these posts are followed with the caption, “What’s next?” One can only infer that the number two signifies his upcoming second album; meaning the new music drought will shortly be over and fans of Fike will be able to see the light of day again.
Sources: Florida Arrests, Instagram, Merriam-Webster, Soundcloud, Spotify, The Fader, Twitter, YouTube
Images: Amazon, Pitchfork, The Fader
Featured Image: GoRadio
(01/30/21 7:34pm)
by Conner Tighe
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
In the city of Cartagena, Columbia, Nathan Drake -just kicked out of a museum for attempted theft- scours the city searching for another way in. An older gentleman spots the boy—witnessing his talents for thieving. Fast forward at least a decade, and the two are scouring the Rub’ al Khali desert, jungles of Borneo, and more. Uncharted’s heartfelt and thrilling journey began in 2007 and continues to capture movie-like escapades over a decade later. With three releases on the PlayStation 3 and three on the PlayStation 4 (including The Nathan Drake Collection), there’s more to return to even after several playthroughs. Here are the Uncharted installments ranked.
1. Uncharted 2: Among Thieves
[caption id="" align="alignright" width="282"] Image from DeviantArt[/caption]
Drake finds himself in a serious pickle when a simple thief job goes wrong. Uncharted 2 expanded upon our wildest imaginations when Drake travels to Asia to seek Shambhala while on the run from the psychotic war criminal, Zoran Lazarević, who is also seeking the ancient city. Drake’s longtime mentor and friend, Victor Sullivan, returns but is MIA in most of the game, unlike the prequel. Journalist Elena Fisher returns in the sequel running into Drake by chance in Nepal. Introduced to this action-packed sequel is treasure hunter Chloe Frazer. The three intermingle in a comedic love triangle throughout the game.
The game improved its wonky combat system introducing more gun selection, combo selection, and a “very easy” difficulty level, which allows players to enjoy the ride rather than worry about dying over and over. The locations players explore, including Nepal, Tibet, Borneo, and the Himalayas, are breathtaking in their graphics, even 11 years later. Uncharted 2 is by far Drake’s most exciting adventure and includes his most formidable foe to date.
2. Uncharted 4: A Thief’s End
Although as fun as it was, Uncharted's fourth installment didn’t live up to the hype. Overall, the game is excellent as all games in the series are, but I couldn’t ignore plot pieces that seemed thrown in to create or solidify an ending to Drake’s adventures; like Nadine Ross and her military group Shoreline as well as adding Drake’s long-lost brother, Sam, who was never mentioned in previous installments.
[caption id="" align="alignright" width="268"] Image from PCMag[/caption]
Now working as a diver in New Orleans for a salvaging company, Drake longs for adventure as his life has slowed down. Like Drake’s luck, trouble always seems to find him when Sam shows up years after believing to be dead after a prison breakout. The brothers travel in search of Henry Avery’s treasure, one of the most notorious pirates of his time, to pay off Sam’s debt to drug lord Hector Alcazar. Sam’s reasoning is later revealed to be a myth.
The combat, graphics, and overall gaming mechanics with jumping, swinging on ropes, and climbing walls were at their peak in this fourth installment. Drake’s family and childhood were not explored as much until this title, so the aftereffect feeling isn’t as powerful when it's delivered here. There are more treasures to collect in Uncharted 4 than all the other titles, and it’s a semi-open world allowing players to remain in one level but with the ability to explore vast amounts of it, collecting treasures and stirring conversation with characters about the environment. The levels are mostly explorable for players to scale walls and drive around in a jeep.
3. Uncharted: Drake’s Fortune
[caption id="" align="alignright" width="260"] Image from DarkStation[/caption]
All the adventure began when Drake and Sullivan stumbled upon a German U-boat in the Amazon, trapped in the jungle. As the search for El-Dorado steers this fun-filled story, the mechanics, like shooting enemies and jumping across cliffs, can create intense agitation as players will find themselves falling to their deaths several times. Drake will grab ledges most of the time, but don’t count on it. This seemingly small issue becomes increasingly more annoying as the game progresses. However, don’t let that steer you away from a fantastic story. Fisher and Drake travel to a mysterious island searching for gold and discovers a curse that inhabits the Spanish colonists who invaded the island centuries earlier. The score, done by Greg Edmonson, is incredible standing in memorability with John Williams’ Indiana Jones score and was expanded upon in later titles. As Sullivan, Fisher, and Drake sail into the sunset, players will find the adventure has only just begun.
4. Uncharted 3: Drake’s Deception
[caption id="" align="alignright" width="256"] Image from Eurogamer[/caption]
Drake’s third adventure takes players to the Middle East in search of the lost city, Iram of the Pillars. Katherine Marlowe, an old flame and former employer of Sullivan’s, also seeks the lost city competing and butting heads at times. Although the locations and overall story were a bit drab, the villain organization was its most interesting point. There’s a connection between history and the present day with Marlowe and her group of mercenaries representing a secret society Sir Francis Drake was a part of when Queen Elizabeth I sent Drake to find the city. The villain shows how far a group is willing to go to obtain an artifact sought after for centuries using a specialized drug on victims to obtain information and bend their will.
Familiar faces Fisher, Frazier, and Sullivan return, and players are introduced to new ally Charlie Cutter. The game emphasized the combat system to the point where, at times, players had no choice but to fight hand-to-hand with their enemies. The game's beginning has players engage with enemies in a London bar crashing through windows, using bottles, pool sticks, and chairs to knock out foes. All the usual gun fighting and exploring are back in the third entry.
5. Uncharted: The Lost Legacy
[caption id="" align="alignright" width="242"] Image from PlayStation[/caption]
Taking away the focus on Drake, Uncharted: The Lost Legacy features Frazier, back after last appearing in Uncharted 3, and Nadine Ross, who was one of the antagonists of Uncharted 4. Players will scour the jungles and ancient temples of India in search of the Tusk of Ganesh. The two women, along with Sam who doesn’t show up until toward the end, race to find the Tusk before Indian insurgency leader Asav finds it first.
Keeping its consistency, all of the recognizable gun fighting and taking cover from enemy fire returns to this installment. One of the differences the game has is the introduction of only a handful of levels. Each level has several tasks and is an open world that allows players to explore their heart’s content. I wasn’t a fan of the makeup, but the game delivered amazingly. Frazier and Ross’ backgrounds are explored more as they were merely side characters in the previous installments. According to Happy Gamer, there’s been talk for the Uncharted franchise to continue with the next release this year on the PS5.
Sources: Entertainment Weekly, Happy Gamer, IMDB, Push Sqaure, Uncharted Wiki
Images: DarkStation, DeviantArt, Eurogamer, PCMag, PlayStation
Featured Image: The New York Times
(01/24/21 8:00pm)
by Mason Kupiainen
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
2021 is ramping up to be a big year for films. Most people are aware of the bigger films like Fast 9, Matrix 4, and Black Widow. However, there are many smaller films coming out that have the potential to be better than the blockbusters. Some of them were pushed over from last year, adding to the stuffed year. While there are many, many films slated to come out this year, here are five films that are looking to be hits.
Cherry
The first film, directed by the Russo Brothers after doing Avengers: Endgame, Cherry stars Tom Holland as an Army medic turned opioid addict. Holland recently proved that he can be an Oscar-caliber actor in The Devil All The Time, showing that he has the ability to pull off this type of role. The Russo Brothers are also a force of nature behind the camera, showing that they can handle action sequences well. The fact that they also chose this film to be their follow-up to Avengers: Endgame, the highest-grossing film of all time, is intriguing. Making the biggest box office film of all time, they had the potential to probably make whatever film they wanted, which interests me as to what drew them to this project.
https://www.youtube.com/watch?v=H5bH6O0bErk
The Green Knight
The Green Knight was originally scheduled to release in May 2020, but it’s finally being released in July of this year. With incredible talent including Dev Patel, Alicia Vikander, and Joel Edgerton, and talent like David Lowery behind the camera, it gives the film confidence in its quality. Along with this, the trailer sets it up to be a much different and darker take on the King Arthur story than we’re familiar with. It also feels as if we are getting a breath of fresh air within the crowded fantasy genre. By being produced by A24, it also gives confidence that the film will turn out to be a hit.
https://www.youtube.com/watch?v=VoJc2tH3WBw
Nobody
From the creators of the John Wick franchise comes a new action hero. Starring Bob Odenkirk as the action hero, the trailer promises white knuckle action sequences, in the same vein as the action handled in John Wick. Although Odenkirk isn’t known as an action star, he looks great in the film and has proven in his previous works like Breaking Bad to be a fantastic actor. The director, Ilya Naishuller, hasn’t directed anything notable besides Hardcore Henry. That film, while not particularly good, was an interesting experiment as it was literally seen from the main character’s eyes, similar to a first-person video game. Jumping from that film to this one seems like an interesting move for the director, but one that piques interest. As an action movie junkie, the John Wick films are some of my favorite films in recent years, it’s exciting to see what the creators will do next.
https://www.youtube.com/watch?v=wZti8QKBWPo
Last Night in Soho
[caption id="" align="alignright" width="456"] Image from IndieWire[/caption]
Edgar Wright’s last film, Baby Driver, was an incredible divergence after doing comedies including Shaun of the Dead and Hot Fuzz. Wright returns to direct another turn in his career with the psychological horror film, Last Night in Soho. Since the film has been kept under wraps, not much is known about the premise beside it dealing with some sort of time travel. Wright has proven himself to be a fantastic director with his own unique voice and style. From how he shoots and edits scenes, to his clever and witty style of dialogue, it’s always invigorating when a new project is released by him. Knowing he can go beyond his comedic roots to explore different genres makes this film all the more compelling as we don’t know what an Edger Wright horror film will be like, but I have faith that he’ll deliver a fun, thrill ride.
Willy’s Wonderland
Nicholas Cage has been making some interesting career choices in the past decade or so. From great films like Color Out of Space and Mandy to last year’s disastrous Jiu-Jitsu, he’s starring in a low budget horror film that seems like a knock-off of Five Nights at Freddy’s. The behind-the-scenes photos and recent trailer have teased that Willy’s Wonderland could be a ridiculously fun, thrilling movie. With the movie being set in a Chuck E Cheese-style of a restaurant, the designs of the animatronics and look of the film give it a unique flavor. It seems to have a dark, gritty look, but also a tone that shows the filmmakers aren't taking it too seriously. With hopefully another great over-the-top performance from Cage, this movie has the potential to quickly turn into a cult hit.
https://www.youtube.com/watch?v=0v27rfaoB2Y
(01/20/21 6:00am)
By Conner Tighe
Stylistically similar to U.S. artists, Ed Sheeran and Passenger, Icelandic artist Axel Flóvent’s latest album, You Stay by the Sea, takes on a slow, methodic journey of self-discovery and looking back at where one comes from with their roots. Every bit of the 12-track wonder has heart and fulfillment emanating from the artist who spent time traveling Europe pursuing something he believed he needed, his own musical scene. Flóvent wanted to make a name for himself, and after spending time near the sea in Brighton, he returned home. You Stay by the Sea is a beautiful calling to this relatable feeling of loneliness and longing for our home. The artist remembers being alone for much of his journey, and with the scenery he encountered, Flóvent’s expedition inward is a result of what’s happened outward around him.
Purpose of the sound
After a first listen through, there seems to be monotony and sad emphasis on dark undertones, like Taylor Swift’s Folklore and Evermore, but this is ignorant to say as a final verdict. Art requires attention and patience, and only patience will help capture Flóvent’s fantastic sound and ability as a young artist. You Stay by the Sea is the artist’s first album release after four EP releases, the last being released in 2020. Flóvent found fame after releasing his first EP Forest Fires in 2015. In terms of sound, You Stay by the Sea is nearly identical, but in meaning, completely different. Self-discovery is not a new work of art in the music industry, but one that can be spun in unique ways, and Flóvent accomplishes a unique angle on how his home holds something dear to him.
Folk and guitar playing establish their dominance in this album, with the artist’s beautiful vocals echoing melancholy. “Tonight” breaks itself off from the rest of the tracklist as it centers around Flóvent’s message of homesickness and the importance of living by the sea. The song is deep and beautiful in its sound, with the vocals silently echoing the truths Flóvent is feeling in the moment. You Stay by the Sea is more of a personal note to the world about his journey in Europe rather than another pop ballad of love and heartbreak like much of the music today.
"And you stay by the sea/It keeps you calm and quiet/'Cause there's no other way/Your heart still wants this fire"
Haunting aesthetic
The artist’s sound is no doubt an acquired taste. Only those familiar with Flóvent’s work and style will understand how much this album means to him. Tracks “Driving Hours,” “Haunted,” and “Fireworks” give the album this slow, methodical rhythm, but the path is broken up by faster tracks “December Traffic” and “Indefinite.” All the tracks are beautifully poetic, but some cannot take away from the overall leisurely pace that can drag on at times.
"But we should dive into the light/I know it’s right to feel both sides"
Top tracks:
Tonight
Driving Hours
Indefinite
Recommended if you like:
Ed Sheeran
Taylor Swift
Passenger
Feature Image: Genius
Sources: Byte
(01/15/21 11:00pm)
by Conner Tighe
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
Although drag can be confidently claimed as an important outlet of gender discovery and understanding, it wasn’t always that way. Drag can be circled back to Shakespeare’s time when theatre was relatively new, and men had limited options for female roles – in their eyes – so it was not uncommon for men to dress in women’s wardrobe for roles. The word “drag” comes from when the men would talk about how their dresses would “drag” across the floor when they acted their roles.
[caption id="" align="alignright" width="252"] Image from House of Mirth Photos[/caption]
Europe’s theatre scene spread to America, where it was known as vaudevilles. From the 1880s to the 1920s, vaudevilles were America’s main source of entertainment as comedians, ventriloquists, dancers, musicians, and more performed together on stage. Julian Eltinge is credited for being the first known drag queen. Charlie Chaplin, known for his comedic silent films shown in black and white, was considered one of the highest-paid actors at the time, but Eltinge took over the title of the highest-paid actor.
The 1930s, also known as the Prohibition era, was not only tied to its secretive alcohol consumption, but also to gay culture. Many gays used secret clubs and locations, free for self-expression, and this became the tie to drag. This underground movement was called “the Pansy Craze.” Gay bars became less discriminated against after the Prohibition era. As their presence became more widespread, so did the police raids that attempted to rid bars of gay activity. The city mafias, out of all people, helped gays pursuing their self-expression free of discrimination. Much of the city nightlife was owned by the mafia. Many nightclubs, bars, and inns owned by the mafia shared a dislike for law enforcement, as did many gays. Drag went underground again. Later on, leaders began to rise when events called for it.
[caption id="" align="alignleft" width="367"] Image from Them[/caption]
Outspoken leaders in the drag community, like Flawless Sabrina, had pageants where drag was celebrated starting in ‘58. She was arrested several times for cross-dressing but persisted. Later in the 70s, drag was out and proud, with many African Americans taking the movement's shape. The Rocky Horror Picture Show demonstrated and celebrated drag with a well-known heterosexual male actor, Tim Curry, in a protagonist role. With this famous musical's popularity, drag was slowly becoming something associated more with fun and good times rather than secretiveness. This process didn’t reach its hype until decades later, and it's still going through its journey with acceptance from society. Drag would also become more relative when the 90s came around.
[caption id="" align="alignright" width="440"] Image from Entertainment Weekly[/caption]
In the 90s, RuPaul Charles began his career as a fierce “queen,” staying true to his talent in the drag industry and music industry. He released his first album, Supermodel of the World, and has one of the most well-known drag shows globally, RuPaul’s Drag Race, where men dress in drag and compete in competitions. As popular and famous as Charles has become, it’s not uncommon when interviewing gay men and men in drag that they’ll give praise to women who spoke out for gay rights, decades before the 2000s. These women can be traced back as early as the 70s.
In a nearly three-minute interview from 1979, Jane Fonda spoke about gay rights saying gays are oppressed, and those that are for gay rights are “on the side of the angels.” “It’s just, and it’s right,” she says. Nile Rodgers, who was Diana Ross’ songwriter, told Today that radio personality Frankie Crocker informed Ross her ‘80’s hit “I’m Coming Out” would “ruin her career.” As we know today, it did quite the opposite for her career. “I’m Coming Out” celebrated pride in the LGBTQ+ community. With the ongoing drag movement came another well-known member who changed the lives of gay men and transgender individuals everywhere.
[caption id="" align="alignleft" width="382"] Image from Reuters Graphics[/caption]
Malcolm Michaels Jr., known famously as Marsha P. Johnson, sadly passed away in ’92 but was considered one of the most well-known drag queens in recent history after having spoken out for gay rights during the Stonewall Riots in ’69. But what was once oppression and bitter injustice has turned into meme-worthy posts on Instagram and fun for people no matter what sexuality. Drag queen, Jasmine Masters, stage name of Martell Robinson, has appeared on RuPaul’s Drag Race, but was more widely known from her “And I Oop” clip which circulated on meme pages and social media. Although drag has had its own culture, it has evolved with the times and has developed its own language. The culture has evolved with society in its own way, sporting wigs, eyeshadow, heels, and other beauty necessities. No longer are drag queens in-hiding from ridicule, but are now celebrated for their individuality and uniqueness within the entertainment industry.
Sources: All That's Interesting, Artforum, Biography, California State University Stanislaus, Capetown Magazine, History, National Museum of African American History and Culture, Out, PBS, Them, The Guardian, Today, Vice, Vogue, YouTube
Images: Entertainment Weekly, House of Mirth Photos, Reuters Graphics, Them
Featured Image: All That's Interesting
(01/13/21 4:11pm)
by Conner Tighe
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
Talented at the age of four, AJ Mitchell grew up in Belleville, Illinois, where he learned his piano skills from his father, a pianist. At six years old, Mitchell wrote his first song and, in high school, he was a member of the choir group. He performed at local coffee shops and bars until finding fame in 2016 on social media. His debut single “Used to Be” was released in 2017, which Mitchell claims it's his favorite song of his to perform.
With inspiration from Coldplay, Lil Wayne, The Beatles, and Bruno Mars, Mitchell writes creatively and has done so even more since quarantine began. The singer takes experiences in his life and crafts +them into pop tracks like his 2019 single “Down in Flames.” “I wrote that song about communication. A big lesson I learned was communicating. I saw two of my close friends get into a bad argument, and from my perspective, I saw how the situation could’ve been a lot different, a lot better if they communicated,” said Mitchell in a YouTube clip.
Mitchell is seemingly vulnerable with his fans. With posts from his childhood featured on his social media and many in-depth interviews with mostly entertainment publications, the artist appears genuine and wants the world to know he’s here for the craft and not the fame. His realistic approach when interacting with fans and social media gives Mitchell credibility with his music. His mannerisms, body language, and overall temperament shown in interviews linked above display what kind of person Mitchell is. Although the artist’s fame came quickly, he explains how his mom encouraged him to keep performing.
YouTube star Jake Paul sought out the young artist to be a part of his social media group called Team 10. During his time in the group, he met his future manager, who secured him a record deal after Mitchell left the group to pursue music. Mitchell released his six-track album Hopeful in 2018 that spoke about your average dabbles in angsty teenage romance with beautiful vocals and a range comparable to boy bands that capture hearts. Mitchell is the prime example of a newcomer musician on the verge of something greater, like Shawn Mendes in his 2014 era.
MTV’s Push highlights new and breakout artists where artists Taylor Swift, Billie Eilish, Eminem, and Future, among many others, have been nominated in the past for Video of the Year Awards, although Push awards artists in other areas like Artist of the Year, Best New Artist of the Year, Song of the Year, and Best Collaboration. Mitchell was featured on MTV’s website in 2019, where exclusive interviews about his life and music career lie, and in 2020 MTV featured Mitchell as a nominee for Best New Artist. The singer has collaborated with artists like DJs Frank Walker and Steve Aoki and rapper Rich the Kid. Recently for the holidays, he released “Blame It on the Mistletoe” with Ella Henderson. It will be exciting to see who else Mitchell strikes a collaboration with in the future.
Since late 2019, Mitchell has been talking about releasing his second soon to be album, Skyview. Heading into 2021, there’s no Skyview in sight, although on Instagram, Mitchell has been teasing the album's arrival with images of him recording in the studio. “If only could hear this…” he says on a Dec. 29 post.
The artist may introduce 2021 with Skyview as a good luck charm for a better year. Since the album wasn’t released in 2020, he may drop the album by surprise. Keeping an eye on his social media will provide excitement for his fans.
Sources: AllMusic, Instagram, MTV, Seventeen, YouTube
Images: Instagram
Featured Image: Euphoria. Magazine
(01/01/21 6:30pm)
(12/23/20 3:30pm)
by Lia Weisbecker-Lotz
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
Growing up, punk music always had a special place in my heart. It offered me a way to let out all of my built-up emotions and frustrations. If I was angry at the world or my parents or my sisters, I had punk music to help me yell it out and face it. If I was scared, it hyped me up with its snarky attitude and raw power. Recently; however, I noticed that all the punk music I had been listening to growing up consisted of all-male bands. Which disappointed me, because I knew that there must be bands full of women who are also furious at the world and at how they’re treated. Women who also had an attitude and humor that was so commonly a part of punk. Here are some female bands I found that shared even more viewpoints on music, the world, and what punk really means to them.
Tacocat
[caption id="" align="alignright" width="389"] Image from Sub Pop[/caption]
Tacocat is a largely female, indie pop-punk band that originated, as many punk bands have, in Seattle, Washington. The band’s songs are coated in humor and sarcasm, describing silly situations and topics. But the band also discusses issues women face every day: catcalling, period-shaming, and mansplaining in their songs “Hey Girl,” “FDP,” and “Men Explain Things to Me,” respectively. And despite Tacocat’s vibrant look, their songs are less high energy and more surf punk. Their latest release was their 2019 album, This Mess Is a Place. The focus of the album is the weird reality of America after the 2016 election.
Glitoris
[caption id="" align="alignleft" width="388"] Image from The Rockpit[/caption]
This Australian punk band first formed as a one-off band for a festival, where they performed in nothing but glitter in 2014. However, the audience’s reaction to their music encouraged them to stay together and continue making music. Glitoris is well-known for its incredibly blunt, abrasive, and political songs. Their music has a chaotic, fury-filled energy to which goes well with the lyrics detailing their frustration with society and the obstacles it places in women’s lives. In 2018, they released their most recent album, The Policy, which showcases not only their political message but also their abilities as musicians.
Skinny Girl Diet
[caption id="" align="alignright" width="266"] Image from Louder Than War[/caption]
Skinny Girl Diet is a British sister duo that got their start in London. An indie band, these two have performed at various small venues, DIY spaces, and festivals. Skinny Girl Diet is a part of the Riot Grrrl movement, a subculture combining feminism, punk indie music, and politics. Many of their lyrics are about intersectionality in feminism and the struggles POC continue to face in the world. Their heavy grunge sound and biting lyrics even earned them a spot on Billboard’s 2015 “20 All-Female Bands You Need To Know.” The group was originally a trio consisting of the Holliday sisters and their cousin, but in 2017 their cousin decided to break away from the band. Their latest album, Ideal Woman, was released in 2018 and discusses the expectations placed on women and the lack of representation of marginalized groups.
Fea
[caption id="" align="alignleft" width="386"] Image from Blackheart Records[/caption]
This next band is incredibly reminiscent of the origins of punk, with a high-energy, edgy sound. Fea is a Latina rock band that originated in San Antonio, Texas. This all-women band brings intense guitar riffs and strong vocals back into the punk scene, and some of their music has a pinch of country twang that oddly goes well with the rock. That’s not the only thing that makes this band unique. A lot of their songs tend to be bilingual, often using Spanish, but also French, German, and a bit of Japanese. Fea’s most recent album, No Novelties, was released in 2019, and it covers a lot of topics including the negative effects of social media, financial hardships, and toxic relationships.
QUEEN BEE
[caption id="" align="alignright" width="404"] Image from Ziyoou-Vachi[/caption]
This is probably the strangest punk recommendation, but I wouldn’t put it on this list if it weren’t quality. QUEEN BEE is a Japanese rock band that describes itself as “fashion-punk.” Their music style is unparalleled as it’s a mix of j-pop, rock, and disco. This majority female band started in 2009 and has since risen in fame in Japan, with several of their songs being used in popular anime such as Tokyo Ghoul: re and Dororo. QUEEN BEE’s songs often offer commentary about identity and the struggle of trying to be oneself with beautiful imagery. Their lyrics are frequently in reference to being a part of the LGBT+ community and being a person of color. The band has released several EPs and albums, with their last one, BL, releasing in early 2020.
Meet Me @ The Altar
[caption id="" align="alignleft" width="377"] Image from The Fader[/caption]
This pop-punk trio met online in 2015 and released its first album in 2017. Although Meet Me @ The Altar’s lyrics detail missing old relationships, mental health issues, and chasing difficult dreams, their music is upbeat and energetic. Unlike the previous bands, the core idea behind Meet Me @ The Altar’s music is their hope for the future. While the group doesn’t have many released songs, in October of 2020 they were signed to Fueled by Ramen, a record label well-known for their punk bands. This means there’s hope for future releases as they continue to pave their way into the punk community. Their latest release was “Garden,” a song about helping a loved one through a rough patch.
Sources: Bandsintown, Billboard, Fueled by Ramen, Gen Rise Media, Grinnell College, HistoryLink, Moshi Moshi, SpeakerTV, Spotify, The Music, Ziyoou-Vachi
Images: Blackheart Records, Sub Pop, Louder Than War, The Fader, The Rockpit, Ziyoou-Vachi
Featured Image: Kellyn Harrison
(12/23/20 3:00pm)
(12/22/20 7:00am)
(12/13/20 3:00pm)
(12/12/20 6:30pm)
Disclaimer: This article contains spoilers for the storyline of 'The Last of Us Part II'
The opinions and views expressed in this article are those of the author and do not reflect the opinion of Byte or Byte’s editorial board.
By Anthony Herring
[caption id="" align="alignright" width="430"] Image from YouTube[/caption]
With its recent Game of the Year win at the 2020 Game Awards and its six-month anniversary quickly approaching, I figured now would be the perfect time to revisit ‘The Last of Us Part II.’ When the game released on Jun. 19, its thrilling performances, pulse-pounding gameplay, and breathtaking visuals were all acclaimed. However, the same cannot be said for its narrative. Said narrative saw 19-year-old Ellie, one of the protagonists from 2013’s ‘The Last of Us’, go on the warpath in order to avenge the death of Joel, her father figure, and the other protagonist from the original game. The person responsible for Joel’s death was a young woman named Abigail “Abby” Anderson. In a shocking twist, players were made to control her for nearly half the game’s runtime. Such a tactic allowed for her perspective of the game’s storyline to be illustrated.
The double whammy of having to witness Joel die at the hands of Abby and having to play as her for such a long span of time, caused many players to find the narrative worthy of derision. They felt Joel’s death was stupid, meant to be simple shock value and nothing more. Some believed Joel should’ve come out a hero, sacrificing his life to save Ellie from...something. And others felt it was ludicrous they play as “Joel’s killer” and be forced to sympathize with Abby.
Unfortunately, this hatred towards Abby and her actions spilled into the real world. The talented Laura Bailey, who portrayed the character, received numerous death threats over this when the game first released. I don’t need to tell you that the actions committed by these people are heinous and utterly vile. (Mind you, not everyone who disliked the game sent these threats; it was only a select few).
But I digress. Instead, I want to talk more about Abby Anderson, and why I think she doesn’t deserve the hatred many have given her.
Who is Abby Anderson?
Before I give my thoughts, it’s important I give some background on who Abby is. In the world of ‘The Last of Us,’ she is the daughter of Dr. Jerry Anderson, a doctor in league with the Fireflies. This militia group formed after a fungal outbreak decimated 60% of humanity, and they desperately desired to create a cure. This led to Joel and Ellie’s journey in the original game, as Ellie was the only known person immune to the infection.
When they arrived at Saint Mary’s Hospital in Salt Lake City, the Fireflies’ headquarters, Ellie was to be prepped for surgery, with Jerry being the head surgeon. While Jerry doubted his abilities, especially considering how Ellie was to die during the operation, Abby reassured him. Unfortunately, Joel was made aware of Ellie’s fate and he subsequently killed many of the Fireflies in Saint Mary’s, Jerry included. This event devastated Abby, causing her to become obsessed with finding Joel for the next four years. Culminating with her and a group of her friends, and finding him near his home in Jackson, Wyoming. It was here where Abby killed him, sending Ellie down her own path of vengeance.
A hole-in-one
Here’s where I’m going to get controversial, so strap yourselves in: I strongly believe Abby is a great character. Do I still have your attention? Good, because I would like to explain why.
[caption id="" align="alignleft" width="334"] Image from Den of Geek[/caption]
For starters, I would like to address the elephant in the room. I believe the only reason people hate this character is due to the fact she killed Joel. Now, don’t get me wrong: I hated Abby for this same reason during my first playthrough. In fact, I utterly despised her during the first half of the story. Much like Ellie, Abby was the antagonist in my eyes. She killed Joel, our precious Joel, and both Ellie and I wanted to take her down. What makes Abby think she can get away with such a crime? Well...with a viewpoint like that, it really hampers how Abby’s character is perceived, and it glosses over the ample development her side of the story gives to the overall experience.
As I mentioned earlier, you have no choice but to play as Abby during the second half of the story. During these sections, you play through the same length of in-universe time (which is three days in Seattle, Washington) as Ellie, but from Abby’s perspective. Through this, you discover that even after avenging her father’s death, Abby has found no sense of peace. She still suffers from the nightmares that plagued her since Jerry died, and her relationships with those close to her have been irreversibly fractured. The greatest victim of this was her relationship with her ex-boyfriend Owen.
Although I didn’t see it at first, it took me until my second play through to sympathize with Joel’s killer. I no longer saw her as some inhuman monster that needed to be stopped, but rather as a flawed human being. Although it is something I don’t condone, I found Abby’s drive to kill Joel understandable. He killed her father so he could save Ellie, who was essentially a second daughter to him. However, the decision left Abby as an orphan. Such feelings of anger, rage, and revenge are entirely within reason for anyone who goes through this, especially when you figure out who was responsible.
Moving onward, Abby grows more compassionate upon the arrival of two new characters: Lev and Yara. The brother-sister duo are members of a religious sect called the Seraphites, who are embroiled in a turf war with the Washington Liberation Front, a militia group that Abby herself is a member of. Lev and Yara end up saving Abby’s life when she is captured by the Seraphites. Because of this, she develops a protective attachment to them. Her connection to the siblings allows Abby to feel some semblance of humanity for the first time in years, and it allows her to find closure over her father’s death.
In a way, Abby’s character mirrors Joel’s from the original game. There, Joel was a survivor who had been hardened due to the death of his daughter, Sarah, at the onset of the outbreak. However, Joel regains his humanity through his relationship with Ellie, finding his sense of purpose in protecting someone other than himself. The fact that Abby shares similarities with him is quite interesting, but I feel it highlights something I love so much about her character: no matter how far you fall, you can still find a way to get back up.
I have one last thing to discuss: the resolution of Abby’s arc. At the end of the game, she and Lev have been held captive for months by a group called the Rattlers. Thankfully, they are freed by none other than Ellie, who tracked them to Santa Barbara, California. By this point in the game, Abby is no longer the obsessive, revenge-driven woman she once was. She is now a weakened yet determined older sister to Lev, wanting to protect him as they journey to Catalina Island. At this point, they are searching for the Fireflies, who are revealed to be actively regrouping. After a brutal fight with Ellie, which ends with letting her go, Abby takes a boat she uses to go to the island with Lev. With that, her journey has reached its conclusion.
While it was a turbulent ride, I inevitably found Abby Anderson to be a fascinating and gripping character. Yes, what she did to Joel was unforgivable, but the world of ‘The Last of Us’ is in itself unforgivable. Joel himself has done horrible things in order to survive. Ellie has taken numerous lives in pursuit of Abby. And even in spite of that, these three, along with the many other characters who inhabit this world, have also shown compassion and love for others. Nothing is black and white here, just shades of grey—and Abby Anderson is a great example of that.
Sources: CNET, Forbes, Kotaku, Polygon, TechRadar
Images: Den of Geek, YouTube
Featured Image: Inverse
(12/05/20 5:00pm)
https://soundcloud.com/user-519363288/remixed-s5e9-from-the-eyes-of-a-musician
Welcome back to another episode of Remixed! Tune in as we discuss underground music from more of a musical perspective, music theory, and the life of a musician! What underground artists deserve more limelight? Why is being a musician so hard? Stay tuned as our hosts discuss their personal favorite underground artists and more!
Hosts: Sam Shipe & Grace Marshall
Edited by: Shwetha Sundarrajan
Graphic by: Kellyn Harrison
(11/24/20 3:00pm)
By Blake Chapman
Geoff Keighley announced the nominees for The Game Awards 2020 on Nov. 18 in preparation for the live program next month.
Here are some of the frontrunners, nominees for the biggest awards, and prominent storylines.
Best Performance
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(11/15/20 3:00pm)
by Annie Bastian
For anyone looking for new music, I highly recommend checking out Sammy Rae. Last year when I was getting prepared for a long car ride, I reached out to people asking for new music recommendations and a friend of mine told me about Sammy Rae’s EP, The Good Life. I remember that the first song that came on shuffle from the EP was “Kick It to Me.” I was automatically captivated due to the saxophone during the introduction and her unique voice. I vividly remember that when I stopped for gas after hearing it, the first thing I did was text my friend thanking her for telling me about this EP. I then sent the song to my father who used to play saxophone and therefore has a strong appreciation for any music that features one. While stopped, I also queued the rest of the EP on Spotify. I have been in love with Sammy Rae’s music ever since. I am strongly attached to the EP The Good Life, but Sammy Rae also has some other music that is well worth a listen. Unlike some groups where if you’ve heard one song you have heard them all, Sammy Rae keeps the listener interested by reflecting many genres such as jazz, pop, blues, and rock in her music. With a diverse array of genres in her music, every song has a distinctive sound.
(11/13/20 12:32am)
[embed]https://soundcloud.com/user-519363288/remixed-s5e7-is-billboard-bill-boring[/embed]
Welcome back to another episode of Remixed! Tune in as we discuss the Billboard Music Awards, how the award show works, which artists won, and the hosts' take on the artists!
Hosts: Sam Shipe & Cara Rae
Edited by: Ok Schlatter
Graphic by: Kellyn Harrison
(11/10/20 10:00pm)
by Anthony Herring