On this week's episode we are discussing the reboot of Shrek. Is this a blessing in disguise or God's way of punishing us? Why is there a Shrek reboot and what will it bring to the table for the generation that loves the Shrek series? Join us on this week's conversation over Shrek on Input 2.
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Disclaimer: This review contains spoilers for House of Cards
Warning: The following review contains spoilers for Suspiria
The Nutcracker is not an easy piece of fiction to adapt into film by any means. Due to the Tchaikovsky ballet’s focus being mostly on visual presentation (set design, music, etc.) rather than story, it’s hard to create a compelling narrative for a film without taking a lot of creative liberties. When Disney decided to adapt the ballet in the form of Nutcracker and the Four Realms, they did it in the same fashion as their recent live-action film adaptations: by trying to appeal to an older demographic by presenting it as a grittier re-imagining of a classic story, and then completely removing any semblance of charm or originality. For a concept as stupid as “Disney’s edgy Nutcracker reboot,” I expected to at least be entertained by the absurdity of the film’s premise, but the movie just left me frustrated and bored by the end of it.
Disclaimer: This review contains spoilers for this episode and previous episodes of Jojo's Bizarre Adventure.
Chloe Fellwock is a freshman advertising major and writes “Full Dis-Chlo-sure" for the Daily News. Her views do not necessarily agree with those of the newspaper. Write to Chloe at firstname.lastname@example.org.
Tenacious D is a comedy rock/metal band, they are not supposed to be taken seriously and never have been by their fans. Jack Black and Kyle Gass have been making wacky rock music since 1994, and with each record there came a new theme. The first, a group of crazy rock songs, the second, a movie, the third, a ginormous tour with a giant inflatable penis onstage. So, what is new about this one? Well, Jack Black confirmed that it is a direct sequel to their second album and movie ‘The Pick of Destiny,’ but this album did not spawn a movie. Instead, Jack Black drew an entire YouTube cartoon series himself.
Disclaimer: This review is of the Xbox One version of the game.
As someone who grew up on the music of Queen, The Rolling Stones, and Led Zeppelin, I was ecstatic when I heard about Bohemian Rhapsody. It looked like it would be an epic tribute to a legendary band and Freddie Mercury specifically. After anticipating its release for almost a year, there had been plenty of time to build up my expectations for the film. In many ways, this film surprised me, and while it met or surpassed my expectations in most areas, there were moments where it definitely did not live up to my standards, detracting from what could have been a great film.
Disclaimer: This review is of the PC version and was conducted on a PC with an Nvidia GeForce GTX 960, i7, 8GBs of RAM.
Zach Piatt is a sophomore journalism major and writes “Dugout Chatter" for the Daily News. His views do not necessarily agree with those of the newspaper. Write to Zach at email@example.com.
It is typical of artists in their first studio album appearance to produce content that may seem lackluster. A possible cause of this could be the signer trying to find their own sound. Maybe it is simply inexperience in the industry at that point. Joji on the other hand seems to have the entire situation solved down to a tee. Through the evolution of his work on multiple singles and joining the popular rap group 88rising, Joji has gained the experience of a veteran in his genre even at such a young age. With the release of Ballads 1, Joji pushes the boundaries of his sound in a natural and pleasing way, but it is not free from overly creative errors that lack meaning.
Disclaimer: This review contains spoilers for this episode and previous episodes of Jojo’s Bizarre Adventure.
Jordan Rhodes is a senior english major who writes "Shepard’s Corner" for The Daily News. His views do not necessarily agree with those of the newspaper. Write to Jordan at firstname.lastname@example.org.
During the final day of this year’s Heartland Film Festival, every single finalist was shown to the public one last time, although all the winners were announced the day prior. Taking home the coveted grand prize for “Best Narrative Feature” was a foreign film titled The Elephant and the Butterfly. Going into this film as my final screening of the event, I had high hopes that it would surpass all other narratives I had seen prior. While it didn’t do that, there’s a clear reason why it won the grand prize. The Elephant and the Butterfly is a heartwarming story about family, achieving its purpose of being a feel-good film almost too well.
The most important thing I’ve learned while studying history is that there are so many great stories left untold in a modern age. There are so many great, culturally significant events that just get lost along the shuffle of time. Father Time doesn’t care about who you are or the things you’ve done, it comes down to society to remember who you are. There are many great people who never get their stories told. Fortunately for the radium girls of the late 1920’s, directors Lydia Dean Pilcher and Ginny Mohler have created a phenomenal film depicting the long untold tale of young laborers fighting against the system in ways that (almost) changed the world.
Disclaimer: This game was played on a PS4 using smartphone controllers. This copy of the game was provided by the developer for review purposes.
Demi Lawrence is a sophomore journalism news major and writes "Unspoken" for The Daily News. Her views do not necessarily agree with those of the newspaper. Write to Demi at email@example.com.
It’s not surprising to see someone double-up between roles during productions of a film. Writer and director, director and producer, actor and producer, writer and actor; a lot of these roles tend to find people taking multiple of them. The trouble comes when some directors try to take on every role possible. A famous example of this is The Room, which is written, directed, produced, and performed by Tommy Wiseau. Neil Breen also does this for many of his films. They tend to turn into vanity projects where the director in question wants to make themselves appear the greatest man on Earth, even if they can’t deliver on that.