Review: ‘Jojo’s Bizarre Adventure: Vento Aureo’ Episode 31: “Green Day and Oasis, Part 2”
Disclaimer: This review contains spoilers for this episode and previous episodes of Jojo’s Bizarre Adventure.
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Disclaimer: This review contains spoilers for this episode and previous episodes of Jojo’s Bizarre Adventure.
By Blake Chapman Christmas for gamers comes twice a year. The obvious one is the day that jelly-bellied dude in the red overcoat comes rolling down your chimney to deliver all those new consoles, games, and accessories. The second instance happens over the span of just one week near the start of June - E3 2019. This year promised a plethora of information on previously announced games as well as surprise reveals of unexpected titles. However, major players like EA and Sony were missing from the traditional conference lineup bringing the total down to only five true presenters ranging from Xbox to Square Enix. Even with that noticeable divot in content shown off live across YouTube and Twitch, there were still plenty predictions to make and expectations to be dashed. Here are the gifts I was wishing would show up under my E3 Christmas tree and what I actually received.
by Blake Chapman Ubisoft has always been the dark horse when it comes to E3. They never have the all-out cringe quality like EA or pulse-pounding reveals like Microsoft, Sony, or Nintendo. The French developer always finds itself in the middle tiers of the E3 grading pool right beside Square Enix. This year, Ubisoft’s biggest reveal of the afternoon may have been dashed weeks before by leaks, but “Watch Dogs: Legion” and a multitude of additional titles packed the hour-long program. If only those additional announcements could have been about the games that seem to be stuck in development hell instead.
Chloe Fellwock is a freshman advertising major and writes “Full Dis-Chlo-sure" for The Daily News. Her views do not necessarily agree with those of the newspaper. Write to Chloe at cfellwock@bsu.edu.
by Eben Griger Bethesda is one of the biggest names in gaming. whether it be the legacy of past games, or the IP's they currently hold, it's hard to ignore anything that has the Bethesda name on it. Unfortunately for the gaming giant, this year that included a good amount of controversy. After the muddy launch and post-launch response of Fallout 76, Bethesda had been in a good amount of hot water with fans. Normally, things like this get swept under the rug at conferences like E3. Bethesda decided to take the high road with this though, having both Pete Hines and Todd Howard himself address the issues they faced from the community. After a few jokes at their own expense, Bethesda launched in to their announcements.
by Tanner Kinney As this generation of consoles winds down, the last couple E3’s are usually fairly tame. The big three companies will all hold their cards and wait to see how they can one-up their competition and capitalize on their mistakes. As such, with both Sony and EA stepping away from a formal conference this year, E3 feels surprisingly empty this year. It’s likely that next year will be the one where Sony announces the PS5, waiting until it’s ready to ship. This year, however, there are plenty of rumors around Microsoft’s conference. With Halo Infinite and Gears of War 5 on the menu already, along with dozens of new titles they are planning to announce, there’s a lot of buzz. Banjo is said to be making a return somewhere, which is leading people to predict either him as Smash Ultimate DLC or in a remake/remaster of the original Banjo-Kazooie, all ignoring the possibility of Banjo-Kazooie: Nuts and Bolts 2. Most promising though, are the rumors around the Xbox Scarlett project, which is said to be their next-gen console. If Microsoft can nail a console announcement and have it out by the winter, it could be the head start Microsoft needs to trail blaze into the next generation. All eyes are on Microsoft to show something truly amazing.
In 2010, id Software, the video game studio behind classic first-person shooters such as Doom, Quake, and Wolfenstein, released Rage. While the game received praise for its combat mechanics, it was criticized for being bland and uninspired with its story and setting, which took elements from games such as Fallout and did nothing new with them. As time went on, Rage was forgotten about and dismissed as a footnote in id Software’s history. Since then, the studio has undergone a resurgence of popularity with their reboots of Doom and Wolfenstein. With this newfound success, they decided to give Rage a sequel. Partnering with Avalanche Studios, the developers behind the vastly underrated Mad Max game, id Software developed Rage 2, which has proven to be a fun, chaotic experience.
Going into The Hustle, my main fear was that all the best parts would be shown in the trailer and I would leave feeling slightly disappointed. This seems to be an issue that’s becoming more and more frequent in comedy movies these days. The film stars Anne Hathaway, an actress I have adored since The Princess Diaries, and Rebel Wilson, known for her role as Fat Amy in the ever-popular Pitch Perfect series. Despite my doubts, I was curious to see how these very different actresses would work together and I made my way to the theater. I found myself pleasantly surprised, for the movie had some unexpected twists and turns, and thankfully, not all the comedic bits had been previewed in the trailer.
Everyone knows the story of Superman: Kryptonian infant Kal-El was sent to Earth by his parents when his home planet was destroyed. Landing in the town of Smallville, Kansas, he was found by Jonathan and Martha Kent, who named him Clark and raised him as their own son. As Clark grew older, he discovered that he had powers and abilities beyond those of mortal men. He decided to use said powers for good and became the world’s greatest superhero.
Disclaimer: This review is of the Nintendo Switch version of the game, played in both handheld and portable mode
Back in 2014, veteran stuntmen David Leitch and Chad Stahelski collaborated together and directed John Wick. It starred Keanu Reeves as a deadly and highly skilled assassin who comes out of retirement to get revenge on the men who killed his dog. The film was both a financial and critical success and went on to become a sleeper hit. It revived Reeves’ career, as well as being the shot in the arm that the action genre needed. The film got a sequel in 2017, which was just as successful as its predecessor. Now, Reeves and Stahelski team up once again to bring the third movie in the John Wick series, to bring more adrenaline pumping, pulse-pounding action.
Often times, when it comes to pop stars who failed to reach the highest echelons of popularity after a short peak, it’s the material that is released after their peak that can be the most interesting displays. There are artists like Macklemore that continued to try and capture what brought them fame in the first place, Gotye seemed to drop off of the face of the earth with no new material ever to be released, and artists like Kesha who found the lack of pressure from the worlds expectation freeing and came out with their most daring, interesting material.
Disclaimer: This review contains spoilers for this episode and previous episodes of Jojo’s Bizarre Adventure.
Adam Valdman is a sophomore sports management major and writes “Chai" for The Daily News. His views do not necessarily agree with those of the newspaper. Write to Adam at alvaldman@bsu.edu.
As Vento Aureo draws closer and closer to its conclusion, the stakes keep rising higher. Not only are we at the last minor villain fight before the final showdown with the big bad, but the part also recently had its first major character death in Abbacchio. To quote a certain recent blockbuster that also features superpowered people trying to take down a murderous meme-spawning megalomaniac, “we’re in the Endgame now.”
Disclaimer: This review is based on the PC version of the game and was played on a PC with Intel Core i5-8250U, 8 GBs of RAM.
Compared to the rest of Mac DeMarco’s discography, Here Comes the Cowboy didn’t quite live up to the standards of mellow grooviness that we’re used to from this king of indie. An album-length listen is slow enough to act as a calming sedative to the listener. It’s drawn out with uninteresting—and in some cases predictable— arrangements that more or less parallel DeMarco’s singing throughout the songs. His easy-going voice is common amongst all of his albums, but this one seems to hold a certain monotone dullness to it. The lyrics don’t necessarily shine through either on the surface, but when you take a deeper dive into the meaning, that’s really the only thing making this album one of the most important in DeMarco’s career.
by Tanner Kinney Picture this: the year is (roughly) 2007, or so. Nine-year-old Tanner Kinney and his family recently purchased a brand-spanking used PlayStation 2 Slim, along with Sly 3: Honor Among Thieves and War of the Monsters. A friend down the road has a few PS2 games as well, and he occasionally brings them over so Tanner can try them. One of these games was a PlayStation One game titled Final Fantasy VII (FFVII), an ugly looking game that I didn’t understand most of despite being a fairly competent young reader. But, it was loads of fun to play, even though we didn’t have a memory card for it and couldn’t make it past Midgar. https://youtu.be/Ru9zzFEdGWk A year or so later, another friend loans us a spare copy of FFVII and a memory card so we can finally experience the game in full without having to keep the console on overnight. I never made it past Disc 1 (I would always get lost after leaving Midgar), but my brother was able to play through the game and I experienced it with him. It was fantastic, at least what I remember of it. I especially loved Yuffie’s storyline and character arc, since she was (and still is) my favorite character in the game. Even when I got older and edgy in the “popular-thing-is-bad-because-it-is-popular” sense, I couldn’t deny that Final Fantasy VII was a great game. Since then, I’ve played through nearly every single mainline Final Fantasy title in one (or multiple) of their various releases. I have my own personal favorites, of course, but other than Final Fantasy II (Japan) and the entirety of the Final Fantasy XIII trilogy, I’ve thoroughly enjoyed all of them. I subscribe to and even sometimes play Final Fantasy XIV, and I spent the entirety of the week after release of Final Fantasy XV just playing through the game in full, nearly non-stop. That was the first game I ever got a platinum trophy for (although, that’s without the DLC). Final Fantasy is a series that means a lot to me, even with some strange narratives and a nonsense understanding of time travel.
So, here we go again. Another movie based off another vaguely forgotten franchise from years past, made in an attempt to Dracula the clutter of eons ago into the new, hot fad of today. Normally, this kind of thing is reserved for franchises with mass appeal and nostalgia, like childhood TV shows, time-honored playthings, or even arcade machines.
Let’s be real with ourselves. There are only two types of people out there at the moment: people who have already seen Avengers: Endgame, and the poor souls who haven’t. You already know whether or not you’re going to see it, and all I can really do in this case is reaffirm whatever stance you have on seeing the darned thing.