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(04/25/16 4:00pm)
"Beauty, Objectification and Violence: Dancing Towards Change" dance show began as an immersive learning project through the Virginia B. Ball Center last semester, and explores themes of domestic violence, gender objectification and beauty standards.
(04/19/16 4:00pm)
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"Friends in High Places" will open on April 19 in the Cave Studio Theatre as part of the New Play Initiative. The show was written by Gabbi Boyd, a senior theatrical studies major and focuses on relationships and the transition from high school to college. PHOTO PROVIDED BY JOHN OSTERHOUDT
(04/01/16 4:00pm)
In a show whose cast combines freshmen with faculty, “Hairspray” tackles issues from 1962 that promise to resonate with audience members today.
(03/31/16 4:00pm)
“The Normal Heart," a theater collaboration between Ball State's Department of Theatre and Dance and the Muncie Civic theatre will run March 31 and April 1, 2, 8 and 9 at 8 p.m. at the Muncie Civic Theatre.
(03/18/16 4:00pm)
"Nobody Panic (But the Emergency Exit is Locked): A Sketch Show" will be performed at the Cave Studio Theatre on March 18 and 19. There is not cost to attend the show, but donations will be accepted to go towards the Department of Theatre and Dance scholarship fund. PHOTO COURTESY OF BILL PFOHL
(02/23/16 5:00pm)
In a show with only two characters, student actors will explore a “Seascape with Sharks and Dancer” in the Cave Studio Theatre, opening Feb. 23.
(02/12/16 5:00pm)
While many may be expecting "Jungalbook," part of this year's MainStage Series shows, to be like the Disney movie by the same name, this production is anything but. Apart from having a lot of the same character names, the Ball State theatre and dance department's production has more differences than similarities.
(12/08/15 5:00pm)
Senior dance majors Mollie Craun and Tyler Ring perform Susan Koper's work "A Duet". Best of Ball State Dance Theatre: Past and Present will be on Dec. 10-12 at 7:30 p.m. and Dec. 13 at 2:30 p.m. at the University Theatre. PHOTO PROVIDED BY AUDRA SOKOL
(12/01/15 8:00pm)
PHOTO COURTESY OF BALL STATE
(11/05/15 8:00pm)
Ball State’s rendition of “As You Like It” takes readers out of the Shakespearean comedy’s original setting and into 1990s Seattle during the height of the grunge period.
(10/29/15 4:00pm)
Dancers perform Laura Mansur's senior piece entitled Nostalgic Era during a dress rehearsal on Oct. 28 in the Ball Gymnasium. DN PHOTO GRACE RAMEY
(10/22/15 4:00pm)
In the second Strother Theatre show of the semester, student actors tackle a musical with songs by the legendary Stephen Sondheim and a plot that goes backwards.
(10/18/15 4:00pm)
Many of the students in the production “Speech and Debate” can relate to the show because of its focus on sexuality. The show will open Tuesday at 7:30 p.m. in The Cave Studio Theatre. DN PHOTO KELLEN HAZELIP
(09/27/15 7:00pm)
“Recent Tragic Events,” the first Cave show of the year, immerses the audience into the day immediately following the Sept. 11 terrorist attacks, but its young cast had to make special preparations to capture the reality of the tragedy.
(09/24/15 4:00pm)
“Mad World,” the opening production for this semester’s mainstage series by the staff and students of the Department of Theatre and Dance. The production focuses on the life of Charles Lutwidge Dodgson, better known as Lewis Carroll. PHOTO COURTESY OF BALL STATE
(09/10/15 4:00pm)
PHOTO COURTESY OF BALL STATE
(04/14/15 10:28am)
Silas Green and Courtney Martin play the roles of Charlie Weston and Leanne King in the student written and directed play, "West End Blues." Weston and King struggle with difficult pasts during the play. DN PHOTO KATHRYN HAMPSHIRE
(04/08/15 4:00pm)
In the final Strother show of the season, the Department of Theatre and Dance presents “Iphigenia 2.0” by Charles Mee, a modern-day version of Euripides’ classic, “Iphigenia in Aulis.”
(04/01/15 4:00pm)
What: “Mr. Burns: a post-electric play”
(03/25/15 7:08pm)
Starting Friday, a young cast of Ball State musical theatre students tackle “Oklahoma!,” a production that Director Karen Kessler, associate professor of theatre, said “changed the course of the American musical.”