The slower songsHarry Styles begins with the reverberant “Meet Me in the Hallway”, which is not a typical opening track for an album by a pop star of this magnitude.
Use the fields below to perform an advanced search of Ball State Daily's archives. This will return articles, images, and multimedia relevant to your query. You can also try a Basic search
29 items found for your search. If no results were found please broaden your search.
Perfume Genius, the solo project of Seattle’s Mike Hadreas, has changed a lot since its minimalistic debut Learning in 2010.
The latest studio album by famed punk/disco group Blondie stays with you. After dutifully absorbing the 46 minutes of confusion and sheer awkwardness, one would hope that the memory of such an experience would perish from your mind.
Ten years after her linear breakthrough, The Reminder, Feist forges a masterpiece that wanders and marauds more than soars and illuminates.
Illuminate: Sensory Arts Festival 2017, hosted by Muncie EDMC and held at Be Here Now, was LITerally lit up by glow sticks, strobe lights and people’s happiness as they danced the night away to electronic dance music.
WARNING: This review quotes lyrics from the album that contain strong language. Kendrick Lamar has already earned his spot as one of the greatest rap artists of this decade with albums Good Kid, M.A.A.D City and To Pimp a Butterfly, the latter of which has become a rallying album for the Black Lives Matter movement.
House devotees got quite the shock when Darren Cunningham, AKA Actress orbited out of retirement to produce AZD, a back-to-basics record for the UK-based composer.
Pentatonix released their newest EP Volume IV, also known as “Classics”, on Friday April 7th.
When Future Islands made their network television debut on David Letterman in 2014, their performance of “Seasons (Waiting On You)” briefly brought them worldwide attention.
After the unparalleled success of 2014’s Brill Bruisers and the ominous silence that followed, few people expected to hear much from Canadian supergroup New Pornographers in 2017.
The highly anticipated and hyped Gorillaz album Humanz gained even more clarity with the release of “Let Me Out”, the fifth single to be released by the UK project since the end of March.
It’s becoming increasingly difficult to know what to expect from Mastodon. Their first four albums, which were spread out across the first decade of the century, singlehandedly brought sludge metal to new heights of popularity, impressing hardcore and casual metal listeners alike.
Aimee Mann’s previous eight releases were a frustrating mirage of beauty. Though certainly effective and noteworthy in their substance, many critics claimed that the singer/songwriter was producing in the shadows of musicians much greater.
Get to know Studio BSU's latest guest: Kaylee Shahira
Phil Elverum’s solo work as a musician began under the name The Microphones in 1999. His music has never been upbeat, and it has never been straightforward.
INstruct aims to teach viewers about how to play instruments.
On March 14, 2017 celebrated Indie Pop/Folk vocalist Feist released the first new track off of her upcoming album: “Pleasure.” “Pleasure” is a progression yet an escape from her past work.
After five years of nomadic wandering in near irrelevance, The Shins surprisingly dropped an album.
Husband-and-wife indie pop duo Tennis began their rise to power early this decade, growing an audience on the strength of simple, fun singles like “Marathon” and “Origins”.
This week, The Deadbeat Club grabs their favorite vinyls and sits down in the lounge with their lo-fi album of choice: Cherry Peel by Of Montreal.We breakdown song by song, and look into the Beach Boy-esque aesthetic of this album from barbershop quartet feels to A+ instrumentation in B- songs.A lyrically complicated piece, sit down a listen as we fight for meaning on this episode of The Deadbeat Club podcast.