Disclaimer: This review contains some spoilers for this season and previous episodes of The Handmaid’s Tale.

The Handmaid’s Tale really is a wild ride, and Season 2  doesn’t stop pulling the punches. We have hangings, mutilations,  beatings, a whole array of terrible things really. Why do we watch this  again?

Because despite all the horrible things that happen, the show is  brilliant. Not only is the political commentary relevant (very  relevant), the show is beautifully shot, (mostly) well written, and  features amazing actors that really brings the characters to life. As  long as the show keeps delivering on these things, I will be watching.

But will it keep delivering? Season 2 is definitely entertaining, but  it is certainly not without its faults, and many of the writing  decisions are largely divisive amongst viewers. However, despite some  gripes here and there and the controversial season finale, The  Handmaid’s Tale remains one of the most beautiful, well-crafted shows  currently streaming. 

Vive la résistance!

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After the first season’s optimistic cliffhanger, fans of the series  were left anxiously wondering if June could escape the tyrannical  patriarchy of Gilead. Sadly for us, the relentless, cruel nature of the  first season carries over into this season; escape is simply not in the  cards for June.

Season 2 opens on an incredibly stressful note as June and the other  Handmaid’s are ushered into a stadium surrounded by guards and barking  dogs. Among the chaos and confusion, Aunt Lydia steps forward confirming  that the handmaids are being punished for their prior refusal to kill  Janine last season, and the punishment is death. This opening was an  incredible way to start off the season and sets the tone for the  remainder of the season right off the bat. 

Except if you’ve seen any television show ever you know that they  can’t kill off our main character in the first episode of a new season.  We have an entire season of grim escapades to focus on after all. If the  season opener is too intense for you, then you may as well exit your  Hulu app and stop watching because everything only escalates from  here. The dark tone set here in the first episode remains consistent  throughout the remainder of the season. The Waterfords now become far  more threatening and abusive than ever before; violence against  Handmaid’s and “sinners” is all too common. And more than likely you  will have an emotional breakdown during some of the more intense scenes,  be it from happiness or from revulsion. 

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The more notable moments in the series are definitely the  interactions between June and other major characters: June and Emily,  June and Waterford, June and Serena…and plenty of other great  interactions scattered throughout. The plot is still influenced by  character’s attempting to revolt, thrive, or escape from Gilead, but  what gives the show momentum is the plotting, arguing and manipulating.  While these moments of action are amazingly suspenseful to watch, the  show does suffer from repetition. The most annoying example is without a  doubt all of June’s escape attempts. How many times does the show plan  on trying to convince us June will escape, only to have her plan go  sideways at the last moment? The answer is three. Now to be fair, these  aren’t boring to watch or poorly executed in terms of cinematography or  writing, but it does make the season feel formulaic: June escapes, June  is captured, June has a bad experience with the Waterfords, June  escapes, June is captured….you get the drift.

Despite this annoyance, the writing is excellent overall, especially  considering this season didn’t have the book to draw influence from in  terms of story progression. One of the best decisions is the theme of  giving the women enslaved in Gilead agency, even if it is something as  simple as hiding a bible, working together in secret, or simply slapping  someone in the face. Without the glimmers of hope and camaraderie, the  show could easily become unbearable to watch due to the excessive  violence and brutality. Instead, there are allusions to a revolution,  developing alliances and new chances for some deserving characters. In  its rawness, there is beauty, and that’s what makes this season really  impactful. 

A renewed emphasis on character

Look, The Handmaid’s Tale is up for a ton of Emmy Awards,  including best Lead Actress in a Drama Series (Elisabeth Moss),  Supporting Actor in a Drama series (Joseph Fiennes), Supporting Actress  in a Drama Series (Alexis Bledel, Ann Dowd, Yvonne Strahovski), and  Guest Actress in a Drama Series (Kelly Jenrette, Cherry Jones, Samira  Wiley). It would be a massive understatement to say that the acting is  merely good. 

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Elisabeth Moss does an excellent job portraying June, though her  acting would benefit greatly if the camera would stop holding on her  face for 5 seconds too long after every emotional scene she’s in, but I  digress. There were countless instances this season where I found myself  on the edge of my seat, mostly screaming at June to do (or not to do)  something. Without a strong lead, the show would fall apart, and Moss  has definitely made June into a character that I want to follow and who I  want to see succeed.

Most of my stress was a result of Serena Joy and her constant  hot-and-cold relationship with June. Yvonne Strahovski steals the show  giving so much depth to Serena’s character that left me both loving her  and absolutely hating her at the same time. Serena is by far the most  interesting character from both a storytelling perspective and  performance-wise.  Her actions are indisputably deplorable, but she is  without a doubt the character that has been given the most interesting  arc, often making the audience question her motives and her stance  towards Gilead. It is incredibly satisfying to watch Serena interact and  work off others, often breaking Gilead’s rules for one reason or  another.

However, this isn’t some buddy sitcom, it’s the Handmaid’s Tale.  Serena may be the most interesting, but her scenes can be quite  difficult to watch. If the show is about empowering women, Serena is a  prime example of how women can be absolutely terrible to one another.  She will never be redeemed from her terrible actions, but luckily the  show is careful not to insinuate that she should be forgiven. She is shown as empathetic, a good mother, and at the very least understandable, but she is not a good person. The Handmaid’s Tale  manages to do what so many other shows fail at: making a character that  can do atrocious things but still remain capable of change and doing  good. 

Other characters like Emily (Alexis Bledel) and Aunt Lydia (Ann Dowd)  offer a nice change of pace from the usual Waterford, Serena, June  dynamic. Ann Dowd is exceptional, often stealing a scene even if she is  only in it for a split second. Emily is especially interesting as the  show frames her as a sort of secondary lead to June, often giving us  glances into her life in the colonies and later at her new assignment.  It’s definitely a good thing to have an escape from the Waterford house  on occasion, so the focus on Emily is much appreciated.

Additionally, Commander Waterford is an exceptional antagonist and  Joseph Fiennes does a great job of making this character just come off  as the absolute scum of the earth. His movements, his soft voice,  everything about Fred Waterford makes me uncomfortable and puts me on  edge. This season we have seen a far more aggressive, manipulative Fred  than in the previous season, and it will be interesting to see how he  will be portrayed in the next season. 

Poetic political messages

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The Handmaid’s Tale isn’t only well written, it’s aligns  perfectly with the current political climate of the United States  mid-2018. The parallels between Gilead and the United States’ political  landscape is honestly uncanny, almost to the extent that it feels like  the show was written in the future to perfectly align with current  events. A political faction wanting to suppress women’s rights while  promoting strong conservative religious ideas hits just a little too  close to home, if you catch my drift. An eerie example surfaces in one  of the season’s best episodes “The Last Ceremony” which aired directly  following revelations about the Trump administration’s decision to start  separating children from their parents and imprisoning them  indefinitely. In the episode commentary, the show’s executive producer  Bruce Miller explains that to make the episode as effective as possible,  they researched with the U.N. how families communicate during  reunification after being separated for extended periods of time. The  end result perfectly parallels the reality of what’s happening at the  Mexican border and left me in drenched in tears. Examples of a show so  masterfully discussing these types of political issues with respect and  ease is unheard of, and it’s sure to leave a lasting impact on viewers. 

We as the audience may want the resistance to hurry along, but just  as in reality, this is not possible. The power of Gilead is upheld by  striking fear into it’s citizens. They realistically can’t kill all the  handmaids for acting out, or they would have no children, but they can  reinforce the idea that they couldnbsp;kill them at anytime. This power  is leveraged over June and all of the women throughout the second  season, but what sets Season 2 apart from the first is the significance  placed on women and their actions.

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Women really are the focus of Season 2, and often the scarce hopeful  or emotional moments are spurred on by women helping one another.  Despite being assaulted, demeaned, and enslaved the show is careful to  showcase women at the front and center of everything. Often the focus of  a shot is on women, where men are framed in the background or slightly  out of focus; a subtle but effective touch to remind viewers that it is  the women of the show who are the center of this story. The empowerment  of women is almost directly contradictory to what we see on the surface  (a government who suppresses and abuses women), but the female  characters fight against the government to the best of their ability. It  is interesting to see the female characters  trapped in this  environment displaying such agency despite the possibility of torture or  death. For a show as dark as the Handmaid’s Tale, these  moments are crucial in keeping the audience optimistic and engaged. In a  culture where women must fight for their reproductive rights, must  defend against sexual assault, and still assert their equality, the show  artfully mirrors the constant fight for women’s rights. 

Nolite te bastardes carborundorum

Is the Handmaid’s Tale Season 2 better than the first  season? Almost. The story progression is far more solid in the first  season and feels more polished overall, but this season really allows  the characters to develop and take affirmative action. Some of the  episodes, most notably “Smart Power” and “The Last Ceremony” are  absolutely beautiful, memorable episodes that are some of the best in  the entire show. This new season may not be as good as the first, but it  very very close. If you can get past the controversial last minute of  the very last episode, then you are going to love Season 2.





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